Chocolate box cottages, rolling green fields, viewpoints out to the sea and little spaces buried into hillsides, the glow of bedroom windows the only light in dark cold evenings. That’s the image of Devon that is painted to many, but what sits beneath that perfect ideal? Villages where teenagers are left with little to do, their limited resources leading them to experiment with alcohol, drugs and loud, wild parties, small places with big skies where they are often forgotten.

Kylie. Bananarama. Donna Summer. Rick Astley. It’s a throwback of mammoth proportions, hit after hit, a dance party here and a dance party there. That’s Stock, Aitken and Waterman, the song writing record producing machine that brought us such hits, and now combined with a brand-new tale from writer/director Debbie Isitt (the brains behind Christmas hit Nativity and its sequels, admit it you love them all), there’s a new jukebox musical in town, and it’s one that is a guarant