‘This is not fiction’. This is the phrase that covers the posters for ‘I, Daniel Blake’, the new stage adaptation of Ken Loach’s 2016 film of the same title. When the film, which depicts the life of Dan as he battles against the state, jumping through hoops as he is declared fit to work against doctor’s orders, was released it was commented upon in the house of commons, where politicians declared it a work of fiction. But in today’s world, where there are more food banks than

Please note, photos included are general Showstopper images, not show specific What does it take to construct a musical? A storyline, music, lyrics, choreography, set, costumes; all of that and you are only skimming the surface, all of that and there is possibly months and months of work to be done in order to get it all running smoothly. That is, of course, unless you are about to witness an entire musical, plot, songs and all, pieced together in just 2 hours. Madness, I hea

Okay, hands up, I’ll admit. I am one of those people who has never really ‘got’ Shakespeare. The language has always been a struggle for me, and I was always worried that I wouldn’t understand it but here we go, I decided to finally give it a go with the Stafford Gatehouse’s ‘A Midsummer Night’s Dream’, the first indoor production in the history of the Stafford Shakespeare Festival. With the action transported to Athens, under the direction of Sean Turner (The Play That Goes

Heartbreak, grief, treacherous journeys, loss, war, mental health and the process of seeking asylum, a hard-hitting combination that may be difficult to convey in a way which people would be able to understand and relate too, but these are all topics that are bravely and sensitively covered in the stage adaptation of Christy Lefteri’s number one best seller ‘The Beekeeper of Aleppo’. Driven from their home by war and threats upon their lives, married couple Nuri (Alfred Clay)

When it comes to stage productions, taking a classic story and giving it a twist is hardly something new, from ‘Unexpected Twist’ and ‘Bleak Expectations’, to Say It Again Sorry’s fringe hit ‘The Importance of being… Earnest’ to name but a few. And now here we are with the Olivier Award winning ‘Pride & Prejudice* (*Sort of), a show that takes the classic Jane Austen story, throws it into the mixing pot and tops it up with dashes of Six, lashes of Jukebox musical fun and even

Oh look, just when you thought that she may have finally moved on and found something else to obsess over, she’s back and she’s talking about ‘The Play That Goes Wrong’ again. Okay, I’ll admit, you may be starting to wonder why on earth I keep going back, or how on earth I still laugh at a comedy that I have now seen 21 times, and I hope you’ll be satisfied with my answer to those questions. One – I keep going back because it makes me happy, pure and simple. I feel a sense of

These days, screen to stage adaptations is about as common as Sunday roasts and train strikes, but something that is perhaps a little bit less common in the world of theatre is a radio to stage adaptation, but here we are. ‘Bleak Expectations’ a comedy by Mark Evans premiered on BBC Radio 4 back in 2007, and has proved wickedly popular since, with the show still being broadcast on a regular basis on BBC Radio 4 Extra. A pastiche of the works of Charles Dickens, it follows Phi

Please note - The photographs in this review feature the original cast, not the cast that are currently starring in the production It isn’t uncommon for stage productions these days to have had other lives before they even reach the stage itself, with screen to stage adaptations becoming increasingly popular and the idea of audience members having some idea of what to expect helping to put bums on seats. In the case of this particular production, it was Deborah Moggach’s 2004

Okay, I’ll admit. Upon being invited to the press night of the UK Tour of Heathers at Theatre Royal Plymouth, I didn’t know masses about it. I knew it was an American high school drama, based on an 80’s cult classic, that took some dark turns and had a massive following of passionate fans, but that was about it. And if I’m being honest, sometimes I really enjoy going into productions mostly blind, ready to be both surprised and entertained, but when it came to this production

It’s not very often that the vast majority of the people in a room together can admit that they’ve had the same or even very similar experiences, it’s not very often that the vast majority of audience members for the same production can watch and say that they’ve been there, they know those feelings, they can relate. But here we are, it happened. After all, no matter what someone has gone on to do with their lives, they can all say the same thing. They all went to school, the

Okay, hands up in the air, time for some honesty. I did not know anything about ‘The Ocean At The End Of The Lane’ before I was kindly invited to the press night of the stage adaptation at Theatre Royal Plymouth. Beyond the knowledge of it being based on a novel by Neil Gaiman (Good Omens, Stardust, Coraline), I knew nothing of the plot, and made the decision not to look it up before going to see the show. Because, after all, sometimes going into something blind can be worth

London is big, it is bold, it is in your face; it surrounds you with noise and hits you full force. The theatre world that calls London home can be just as big, can be just as bold and can be just as loud, but not always. Like the night plunging the city back into winter weather after a sunny day, some shows sneak up on you, catch you unaware with their different style of approach, delving deeper and presenting you with the unexpected. Vault Festival, London’s smaller but jus

When it comes to comedy in the world of theatre, there is one company that continues to prove themselves to be at the very top of their game, and that is Mischief Comedy. With such successes as The Play That Goes Wrong, Peter Pan Goes Wrong, The Comedy About A Bank Robbery and Mischief Movie Night already under their belts, 2022 saw the company branching out and trying new things, only adding to their success story. Magic Goes Wrong has enjoyed two west end runs and a popular

What makes a show a musical and what makes a show a play with music. It’s a thin line and one that many shows walk like a tightrope, especially when said show is about a musical act itself. ‘The Commitments’, currently touring the UK, walks this line, balancing music with story in a humorous and believable tale of a band trying to make it big. Based on the Roddy Doyle book, ‘The Commitments’ tells the tale of a group growing up in Dublin in the 1980’s, brought together by you

Please note the photos in this review are of the original cast, not the current cast It’s one of the hottest tickets in town, and perhaps one of the most talked about shows around. The theatre has had a massive makeover and the audiences continue to flock over a year after opening. This is Moulin Rouge, the musical, the spectacle, the experience; and I’m not over exaggerating when I say that there really isn’t anything else like it. You may shake your head and simply call it

Oh look, what a shock. She’s writing about a mischief show again. But let’s be honest here, is that really a surprise? Mischief Theatre has something that just keeps on dragging me back, and the most addictive of the lot for me, ‘The Play That Goes Wrong’. People may, and do, ask me why I keep seeing it, how on Earth I am not bored of it yet and I give the same answer every time. How can I get bored of something that is different every single time. Different cast combinations

Mischief Movie Night, Fleabag and Six. What do they all have in common? Well, these three massive hit shows all come from humble beginnings, getting their start in the world at the Edinburgh Fringe Festival and now another success story has come barrelling out of its Fringe starting block to global popularity: The Choir of Man, which premiered at the festival in 2017. Featuring an all-male cast of talented vocalists, musicians and wordsmiths, The Choir of Man invites the audi

It’s perhaps one of the most popular Christmas movies around, with merchandise flooding the shelves every year and a family rewatch becoming a tradition for many, and since it’s stage debut in 2010, Elf has proven just as loved on stage as it is on screen. With success across North America and beyond, 2022 saw the festive musical return to the London stage for its second run since 2015, returning once more to the vast Dominion Theatre. It is maybe safe to assume that most peo

It’s a Disney classic and a family favourite, delighting all ages for many years and consistently raising the bar for the type of special effects that can be achieved in a live stage production. ‘Mary Poppins’, the world’s most magical nanny, with her technicolour adventures, fantastic stories, and mystical ways, has been a stage hit since 2004, enjoying London and New York success and popular tours. It swooped back into the West End, back into the Prince Edward Theatre in 20

Please note, the photographs used this in review may not feature the cast members mentioned as at the performance I attended, a number of roles were played by the talented understudies. Whilst it is not uncommon for a musical to seek inspiration from real life events, I don’t think, looking back a few years now, that someone would have thought that a musical based on the events on and surrounding September 11th, 2001, would work, let alone prove to be a global hit. When you t