February 1895 ‘The Importance of Being Earnest’, the play that would go on to be known as Oscar Wilde’s masterpiece, premiered both representing and mocking late Victorian society with its story of double lives, society ideas and romance, sending Oscar Wilde to new higher levels of fame.   Just 3 months later in May 1895, Oscar Wilde was arrested for ‘Gross indecency for Homosexual acts’   Now, 130 years later, Max Webster’s staging of that masterpiece fresh from a festive pe

Just as I made a ‘if I had a nickel’ joke between ‘Vagabond Skies’ and ‘Saving Mozart’ just a few months ago, I feel compelled to make another, for if I saw two shows that push the once hidden stories of musically gifted sisters overshadowed by their brothers and forced to be the traditional wife, I would have two nickels, which wouldn’t get you far in today’s expensive world, but it is a little odd. But, whilst ‘Saving Mozart’ celebrated the story of Nannerl Mozart with soar

In a time whilst some may argue that London is simply flooded with jukebox bops, screen to stage adaptations and revivals, new and original musicals are deservedly celebrated as breaths of fresh air, injecting a taste of something new on the horizon and ‘Bloody Mary and the Nine Day Queen’, having spent its recent and short London run nestled under the Southwark and Waterloo arches of the Union Theatre, may hear the bright lights of bigger venues calling its name sometime soo

Whilst some shows have showcased a strong sticking power, hanging around for decades with productions that continue to both delight and bring in the audiences, a partnership lasting 50 years is perhaps something less common, but something that equally warrants a grand celebration. And that is exactly what Penn & Teller, world famous magicians, have set out to achieve with their first ever West End residency, celebrating the 50 years that they have been performing together.  

Is a man innocent until proven guilty? How do you prove a case of murder without a corpse? And how exactly do you solve a crime that happened 400 years ago?   All of these questions are picked apart and truly explored in ‘The Daughter of Time’, a fascinating and interesting production currently playing at the quaint Charing Cross Theatre. Inspector Alan Grant (Rob Pomfret) is laid up in hospital with a broken leg after another case went wrong in the 1950s and in order to stav

Six people who used to be the best of friends at University, but have subsequently grown apart, are all mysteriously invited to take part in an escape room in the Caves at the Edinburgh Fringe. They used to love solving puzzles together, but no one knows why they are suddenly here to solve one last mystery, or do they?   In ‘Escape Room: The Musical’ by Grown Up Playhouse Productions, we see the six friends, joined by Pierre, an enigmatic French man who doesn’t seem to know w

Back at the Edinburgh Fringe for the fifth time due to phenomenal demand, Say It Again Sorry’s ‘… Earnest?’ Continues to deliver its unique and boldly brave style of interactive theatre where audience interaction is taken to the extreme in an hilarious laugh out loud retelling of Oscar Wilde’s ‘The Importance of Being Earnest’.   When the leading man fails to make his appearance as Earnest, leaving Terry as Algernon (Ashley Cavender) and Graham as Lane (Rhys Tees) flummoxed,

Henry Cyril Paget, the long forgotten fifth Marquess of Anglesey, written out of history after he died aged just 29 in the 1850s having spent all of his estate’s money staging extravagant plays. His family destroyed any evidence of him, pretended he didn’t exist to bring back their good name, but this production ‘How To Win Against History’ brings Paget’s story back to life with oodles of glitz, glamour and sparkle.   Returning to the fringe after premiering back in 2016, we

What happens when you combine the artistic rivalry between Michelangelo and da Vinci with strong pop anthems, fabulous costumes and an incredible amount of queer joy and celebration? Well, you get ‘Pop Off Michelangelo’, a new musical that over the last year or so has taken both Edinburgh and London by storm.   Staring Max Eade as Michelangelo and Aiden MacColl as Leonardo da Vinci, ‘Pop Off Michelangelo’ follows the two young artists as they come to the realisation that they

There is a grand and ancient history to ghost stories; tales of creepy goings on passed down from generation to generation, the spookiness of old creaking buildings and the electric spark of excitement that comes from being just that little bit scared of what might lurk in the darkest of corners shrouded in shadow.   But the ability to tell a good ghost story is a true skill, the ability to capture an audience’s attention and keep them gripped on the edge of their seats, that

After proving a massive hit for a number of years in London’s West End, and enjoying a previous UK Tour, it was well celebrated news when it was announced that ‘Kinky Boots’ would once again be strutting its way up and down the country with a new ‘Made at Curve’ production. And the excitement only grew and grew when the news that Strictly Come Dancing favourite, pro dancer Johannes Radebe, would be making their musical theatre debut in the role of Lola.   And, long story shor

Production images of Jack Baldwin, Laurence Pears and Charlie Ives, rehearsal image of Charlie Richards. in 1993, Steven Spielberg’s Jurassic Park was the peak of technical achievement in movie making, crammed full of special effects and action sequences beyond much of what had been seen before. Now, with such advances in technology, it would be easy to look back at it and call it basic in comparison, and most would probably agree with you. But that basic-ness here lights a

Picture the scene. It’s a murder mystery play. Written by Agatha Christie. Already a recipe for success, just look at the mega power that is ‘The Mousetrap’. But wait, it’s a courtroom drama, and it’s being performed in London County Hall’s Council Chamber, giving the sense of a real court room. Ladies and gentlemen, I think that we are on to a winner here. This is ‘Witness For The Prosecution’.   Christie herself named ‘Witness for the Prosecution’ as her favourite play and

A theatre nestled in the arches under a railway bridge seems an appropriate home for a show about a train journey, and ‘Cockfosters’ at The Turbine Theatre is exactly that. James (Sam Rees-Baylis) and Tori (Beth Lilly) board the Piccadilly Line at Heathrow for the long 38 stop journey to Cockfosters, and along the way meet a cacophony of fellow travellers, from man-spreaders, buskers and partygoers to sports fans and tourists. This hilarious Rom-Com has had a number of sell-o

What is it really like to be a performer in musical theatre? What really happens backstage? What do the cast members really think of each other and think of their audience? Well, if you would like to know the answers to these important burning questions and would like them set to fun, catchy show tunes, then look no further then Alexander S. Bermanges ‘I Wish My Life Were Like A Musical’, playing at Gilded Balloon at the Museum. This production is a deep dive into the world o

Charlie thought that he had done everything right with his life; he’d found a girl and gotten married, he had a good job, and he thought that everything was going to plan. But when his marriage breaks down, and he’s let go from his job, he is forced to sit back and re-evaluate his life. A simple text ‘Anyone fancy a pint’ in the group chat leads Charlie down a different and unexpected path in ‘Did You Mean To Fall Like That’, a one-man show written by Stephanie Martin, direct

There are some big questions floating around in the world: what is the meaning of life? Why are we here? What came first? The chicken or the egg? To name but a few. And, of course, that big question on everyone’s lips. Is a Jaffa Cake a cake, or a biscuit? Well, let us turn to Gigglemug to tell us the answer to that one. Based on the famous 1991 court battle between McVities and HMRC, Gigglemug’s A Jaffa Cake Musical takes the trial, packs it full of fun catchy songs, squeeze

Car chases, secret weapons, hidden villainous hideaways, schemes and the battle between good and evil; all things that we are associate with the classic spy genre, and Spy Movie The Play (written by Matthew Howell and Jack Michael Stacey) takes all of that and flips it on its head in a hilarious love letter to spy movies that will have the whole family in fits of laughter. Meet Albert Cabbage (Matthew Howell) and his team as they aim to present the greatest spy movie ever mad

If there is anywhere that is constantly evolving and growing, it’s London. New buildings here, a new train line there, people coming and going in a constant hustle and bustle, one day into the next. There isn’t much that stays the same, there isn’t much that withstands the test of time. Away from the monuments, away from anything protected by some law, it is easy to say that most of London’s past is hidden away under the sheen and shine of new modern adaptations to the ever d

Meg (Victoria Serra) is nine months pregnant, worrying about the future of her unborn child. She doesn’t know what to expect, she doesn’t know what this creature is going to be. She’s read all the parenting books, but doesn’t know what the reality of all of it is. She gives birth to a seal, but doesn’t know what kind. Is it prey, like the Harp Seal, or is it predator, like the Leopard Seal? Is she the mother of a defenceless innocent, or the mother of a villain? Walking a fin